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      <image:title>PRODUCTION DESIGN - 2013 Chevrolet Spark Commercial - Dance In Paris</image:title>
      <image:caption>Angus Wall- Director Elastic Films- Production Co.</image:caption>
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      <image:title>PRODUCTION DESIGN - Nespresso: "Ritual"</image:title>
      <image:caption>Director - Michael Haussman Production Co - HSI Agency - The Martin Agency</image:caption>
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      <image:title>PRODUCTION DESIGN - Mercedes- "Boomer"</image:title>
      <image:caption>Victor Garcia- Director Harris Savides - Cinematographer MJZ- Production Co. Merky Newman Harty - Agency</image:caption>
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      <image:title>PRODUCTION DESIGN - MASERATI-GHIBLI-2015_INVISIBLE</image:title>
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      <image:title>PRODUCTION DESIGN - AUDI, 'THE SEAT' (DIRECTOR'S CUT</image:title>
      <image:caption>Directed by Malcolm Venville</image:caption>
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      <image:title>PRODUCTION DESIGN - NYC LOTTERY “Small World”</image:title>
      <image:caption>Director - NE-O Production Co - SKUNK Agency - DDB</image:caption>
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      <image:title>PRODUCTION DESIGN - Maybelline - Colossal Chaotic (Editors Cut)</image:title>
      <image:caption>Director: Anthony Mandler Production Company: Believe Media Agency- Beauty Gotham</image:caption>
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      <image:title>PRODUCTION DESIGN - Work Mastered: The New Working Wardrobe from White House Black Market</image:title>
      <image:caption>Director - Cyril Guyot A White Label/SR Product- Production co.</image:caption>
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      <image:title>PRODUCTION DESIGN - Nexus 7- Aquarium Ad</image:title>
      <image:caption>Director - Frederic Planchon Production Co- Anonymous Content Agency- Google</image:caption>
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      <image:title>PRODUCTION DESIGN - Droid Turbo How It's Made Verizon Wireless</image:title>
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      <image:title>PRODUCTION DESIGN - DAILY SHOW / COLBERT REPORT PROMO, “Mid Ultimate"</image:title>
      <image:caption>Director - Steve Miller Production Co - RADICAL MEDIA Agency - Comedy Central</image:caption>
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      <image:title>PRODUCTION DESIGN - Hyundai GBCS - "KID" 120</image:title>
      <image:caption>Director - Cyril Guyot Production Co. Compass Agency- Innocean WorldWide</image:caption>
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      <image:title>PRODUCTION DESIGN - DUNKIN DONUTS, "HOT FOOT"</image:title>
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      <image:title>PRODUCTION DESIGN - UBS - "Corridors Of Power"  : 30</image:title>
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      <image:title>PRODUCTION DESIGN - AVON FEMME</image:title>
      <image:caption>DIRECTOR : JORDAN SCOTT PRODUCTION CO.: RSA USA</image:caption>
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      <image:title>PRODUCTION DESIGN - REVLON “Just Bitten”</image:title>
      <image:caption>Kathryn Bigelow- Director RSA FILMS- Production Co. WME2 New York - Agency</image:caption>
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      <image:title>PRODUCTION DESIGN - Sony "Mind of a Child"</image:title>
      <image:caption>Director: Wes Anderson Production Company : Laika House Nelson Lowry: Art Director Julian LaVerdiere: Associate Art Director</image:caption>
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      <image:title>PRODUCTION DESIGN</image:title>
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      <image:title>PRODUCTION DESIGN - The Americans - Title Sequence</image:title>
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      <image:title>PRODUCTION DESIGN - Microsoft_Art of Harmony</image:title>
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      <image:title>PRODUCTION DESIGN</image:title>
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      <image:title>PRODUCTION DESIGN - Walmart-Heros-30</image:title>
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      <image:title>PRODUCTION DESIGN</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/583e1576b8a79bc809c231f2/1559594223508-VCX3P0KA8C84C06POPT3/Motion-control-shipwreck2.jpg</image:loc>
      <image:title>PRODUCTION DESIGN</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/583e1576b8a79bc809c231f2/1559593302517-LBUVVSC3TG2O7X5M25FK/8+Onion+Scooper+Set.jpg</image:loc>
      <image:title>PRODUCTION DESIGN</image:title>
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      <image:title>PRODUCTION DESIGN - JLav_Mazda_RSA_HenrikHansen_WD(2)</image:title>
      <image:caption>MAZDA RX-5</image:caption>
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      <image:title>PRODUCTION DESIGN - GE - "Childlike Imagination" (BBDO NY)</image:title>
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      <image:title>PRODUCTION DESIGN - Dodge Charger H.264 - "Our Future"</image:title>
      <image:caption>Director - Carl Rinsch Production Co. - RSA Films Ad Agency - Weiden Kennedy</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/583e1576b8a79bc809c231f2/1579655062830-TVDLCCJQS6O2LNA1YLWM/image-asset.png</image:loc>
      <image:title>PRODUCTION DESIGN - Northwell Robotics : 30</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/583e1576b8a79bc809c231f2/1579655831358-06GOTHW3O8QTWSBUYI1V/image-asset.jpeg</image:loc>
      <image:title>PRODUCTION DESIGN - Liberty Mutual What goes around</image:title>
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      <image:title>PRODUCTION DESIGN - Mazda Red &amp; White</image:title>
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    <image:image>
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      <image:title>PRODUCTION DESIGN - Irwin Tools Short :30</image:title>
      <image:caption>Director: Alex Ogus Production Company: Company Films</image:caption>
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    <image:image>
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      <image:title>PRODUCTION DESIGN - アン・ハサウェイ、美しすぎるゴージャスドレス姿披露　ラックス新ブランドアンバサダーに就任　「ラックス スーパーリッチシャイン」リニューアル篇・トリートメント篇</image:title>
      <image:caption>LUX Lust :30 Japanese Release</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/583e1576b8a79bc809c231f2/1560535962745-1YH9N2G1RS6G6PQKOOIB/cuervo_Cover_pic.png</image:loc>
      <image:title>PRODUCTION DESIGN - Jose Cuervo - Have A Story :60</image:title>
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    <image:image>
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      <image:title>PRODUCTION DESIGN - NBA 2K22 - Launch Trailer | PS5, PS4</image:title>
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    <image:image>
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      <image:title>PRODUCTION DESIGN - RISKANDPERIL</image:title>
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    <image:image>
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      <image:title>PRODUCTION DESIGN - XFINITY Internet TV Spot, 'Game Show'</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/583e1576b8a79bc809c231f2/1579655298168-FKIFFKHBNRKPSFJZOEMD/image-asset.jpeg</image:loc>
      <image:title>PRODUCTION DESIGN - Squarespace | Make It Real | Oscar the Grouch</image:title>
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      <image:title>PRODUCTION DESIGN</image:title>
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      <image:title>PRODUCTION DESIGN - Tiny Pies</image:title>
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    <image:image>
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      <image:title>PRODUCTION DESIGN - Chevy_Blazer_EV_45_DirCut_</image:title>
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    <image:image>
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      <image:title>PRODUCTION DESIGN - EverythingFits_30_v9_AGENCY_build_002.mp4</image:title>
      <image:caption>DIRECTOR: BEN TRICKLEBANK PRODUCTION CO: FURLINED</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/583e1576b8a79bc809c231f2/1559253736175-JGJUVHE9SLDETG5VM3F7/IMG_6043.jpeg</image:loc>
      <image:title>PRODUCTION DESIGN</image:title>
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      <image:title>PRODUCTION DESIGN - Nike Frozen :30</image:title>
      <image:caption>Director: Malcolm Venville Production Company: Anonymous Content Agency: Wieden Kennedy</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/583e1576b8a79bc809c231f2/1677083806103-5RH3JQ8XHF1JGGLGDAKS/image-asset.png</image:loc>
      <image:title>PRODUCTION DESIGN - LG - "Advanced Learning"</image:title>
      <image:caption>Carl Rinsch- Director RSA FILMS UK- Production Co. BBH London- Agency</image:caption>
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      <image:title>PRODUCTION DESIGN - Griswold Family Mach-E Christmas!</image:title>
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      <image:title>PRODUCTION DESIGN - THE DICTATOR - Trailer</image:title>
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      <image:title>PRODUCTION DESIGN - CONVERSE “Harlem Sedan”</image:title>
      <image:caption>Director - Antoine Fuqua Production Co - Anonymous Content Agency - Anomaly</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/583e1576b8a79bc809c231f2/1771287840966-5GOYUFZNPEQH5X8BDM3A/image-asset.png</image:loc>
      <image:title>PRODUCTION DESIGN - NEW YORK LOTTERY / OFFICE PROJECT / TIME MACHINE :45</image:title>
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      <image:title>PRODUCTION DESIGN - NESPRESSO: UNFORGETTABLE TASTE :60 DIRECTOR CUT</image:title>
      <image:caption>DIRECTOR: GRANT HESLOV PRODUCTION CO: UNTITLED</image:caption>
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      <image:title>PRODUCTION DESIGN - TIDE / MARVEL - DR. STRANGE THE MULTIVERSE OF MADNESS</image:title>
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      <image:title>PRODUCTION DESIGN - HEINEKEN 0.0 | MARVEL QUANTUMANIA : "No Shrinking &amp; Drinking" (SUPERBOWL) :60</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/583e1576b8a79bc809c231f2/1771310390863-9MAEWPKSS7UJZOMFULFD/image-asset.png</image:loc>
      <image:title>PRODUCTION DESIGN - WEGOVY : A New Way (SUPERBOWL) 1:15</image:title>
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      <image:title>PRODUCTION DESIGN - Old Navy ALL-idays "Jingle Jammies" commercial</image:title>
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      <image:title>PRODUCTION DESIGN - HEWLETT PACKARD, "Rocket Launch":60</image:title>
      <image:caption>Director - Jake Scott Production Co - RSA USA Agency - Goodby Silverstein</image:caption>
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      <image:title>PRODUCTION DESIGN - BROADWING, "Hosting, IP Love, All Optical"</image:title>
      <image:caption>Mehdi Norowzian- Director Chelsea Pictures- Production Co. Hill Holiday- Agency</image:caption>
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    <lastmod>2024-04-03</lastmod>
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      <image:title>PUBLIC ART , SCULPTURE &amp; EXPERIMENTS - The Phantom Towers, Laverdiere &amp; Myoda, 2001</image:title>
      <image:caption>The first conceptual rendering and proposal of the the Tribute in Light memorial published on the cover of the New York Times Magazine Sept 21 2001.</image:caption>
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      <image:title>PUBLIC ART , SCULPTURE &amp; EXPERIMENTS - TIME TRIAL EXHIBITION - MOCA MIAMI 2003</image:title>
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      <image:title>PUBLIC ART , SCULPTURE &amp; EXPERIMENTS - First Attempted Trans-Atlantic Telegraph Cable Crossing Memorial 2000</image:title>
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      <image:title>PUBLIC ART , SCULPTURE &amp; EXPERIMENTS - Dungbeetle, Julian LaVerdiere, 2004</image:title>
      <image:caption>Dung Beetle; Column Razer, Lehmann Maupin Gallery NYC, 2004. This fully articulating column raiser can engage, lift and lower a 30” diameter, 10’ tall column. The 82”x57”x57” piece is constructed from fiberglass, automotive paint, ATV tires and wheels.</image:caption>
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      <image:caption>Æther Cabinet 1995-98 Æther Cabinet Experiment: Wind tunnel designed to cultivate an ethereal, speleological bar graph charting the passage of time. Appearing as a large incubator/ furnace this device burns Æther and pumps the ash-laden mist into the endless loop of the wind tunnels jet stream. The ash collects on the exhaust manifolds and forms horizontal excrescences in the form of stalactite and stalagmite structures. These geological formations are developing at an accelerated rate, allowing for a closer examination of their evolution. This devise exercises my interests in tampering with the passage of time. -LaVerdiere, 1995</image:caption>
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      <image:caption>F-Light Bed &amp; F-Light Pillows, 1999 F-LIGHT BED &amp; F-LIGHT PILLOWS © are new concepts in programmable Illuminating sleeping equipment, both designed to guide and control it’s users circadian rhythms and dreams sequences. These cots and pillows apply a uniquely designed “intelligent” fabric, woven from two state -of –the-art materials; LiveWire, a electro-luminescent filament and Vectran, a liquid crystal polymer fiber. This “intelligent” fabric is programmed by timer and micro processor to illuminate and cycle with variable sequences, speeds, and intensities. These appliances have two principle modes of operation; Circadian Programming and Dream Sequencing, allow for these designs to have a broad array of applications in the field of sleep research. The Circadian Programming mode is designed to help the sleeping subject gain control of their circadian rhythm. A subject’s circadian rhythm dictates when their body is either active or at rest. Daily sleeping schedules are generally dictated by the solar day. However, Airforce pilots, Astronauts and Intercontinental travelers, are often set out of sync with the solar day by routine time zone changes. The re-alignment and or correction of the circadian rhythm is most efficiently achieved through scheduled and controlled exposure to light. When utilizing the circadian programming mode, The LIGHT BED or FLIGHT PILLOWS controls the on/off periods during which the “intelligent” fabric emanates light. These devices, function as silent Illuminated alarm clocks, or as supplementary light sources. The light bed is designed to meet military specifications and can serve in both training and field exercises as a silent reveille. The flight pillows are battery operated light weight compact, an ideal travel accessory for fighting jet lag on long intercontinental flights, as well as treating seasonal affected depression caused by dark winter months. When using the Circadian Programming mode, both the Light Bed and the Flight Pillow are ideal for fighting fatigue, restoring alertness, and maximizing working and waking hour potential. The Dream Sequencing mode is designed to help the sleeping subject evoke dreams of motion and flight during their R.E.M dream state. R.E.M. (Rapid Eye Movement) dreaming, also referred to as active dreaming, is the period in which the sleeper comes closest to consciousness and experiences vivid and life like dreams. R.E.M. occurs in regular and predictable intervals of a healthy sleepers daily rhythm. When in an R.E.M. dream state, a sleeper is sensitive and easily influenced by changes in their physical environment, i.e. sound, motion, temperature and light. Altering these conditions is found to influence the nature, and course of the sleepers dreams. Dreams of motion and flight can be installed in the mind of a sleeper by exposing the subject to patterns of sequenced light. In the Dream Sequencing mode the “intelligent” fabric of the Light Bed and Flight Pillow generate a virtual experience of motion for the sleeper, by applying a chase sequence to the parallel lines of electroluminecent wire woven into their fabric. This sequence of subtly flashing lines of light generates an optical illusion similar to vector graphic flight simulators. These sequenced light patterns emanating from the “intelligent” fabric are visible through the closed eye lids of the subject. Upon sensing this illusion of motion, the subject (in the R.E.M. state) is induced into empowering dreams of self propelled flight, and progressive movement. When used in the Dream Sequencing mode Both the LIGHT BED and the FLIGHT PILLOWS may be used for training; Airforce pilots, Astronauts and flight enthusiasts. These nocturnal simulations will serve as influential and enlightening exercises for the minds of soldiers and civilians alike. PRINCIPAL MATERIALS Both these designs; the LIGHT BED and FLIGHT PILLOWS, apply the use of technologies developed by the United States and Israeli Military industrial complexes. Live Wire is the brand name for the electro-luminescent wire light source, a 16th inch diameter flexible cable that emanates light along its entire length and circumference. This cable emits a cold light, much like the flat screen illuminated displays of hand held and laptop computers. This technology originally developed for the Israeli military, has recently been UL approved and made commercially available for public use. Vectran is the brand name for fiber that composes the cots matrix into which the Live Wire is woven. Vectran is a light weight liquid crystal polymer that has extraordinary heat resistance and tensile strength (greater than that of Kevlar). The unique properties of this high performance fiber satisfies many of today’s United states military and aerospace needs. For example, air bags woven out of Vectran were deployed to cushion the Pathfinder's landing on Mars in 1997. This fiber is also now commercially available to the public. Extren is the brand name for tubing that composes the folding frame work of the Light Bed. Extren is a fiber glass and epoxy reinforced structural tubing that is corrosion resistant, nonconductive, and has a high strength to weight ratio (two thirds the weight of aluminum). This structural material is commonly used for the construction of clean room and air craft equipment. Extren is also commercially available to the public. DESIGNER’S NOTE “The Conquest of the unconscious and the exploration and control of the mind are age old desires which may now be embarked upon with the aid of my new technology. This new technology designed for the enlightenment of man, has been woven from a matrix of technologies that were designed for mans destruction. Beyond the marketable applications, and Utopic socio-political implications, these devices, which apply this new technology may also be appreciated as works of conceptual art &amp; design which will encourage the viewer to romance the exploration of the ineffable and debate the ethics of the conquest of the subconscious. To date the unconscious mind still largely remains an un-chartered territory. My intentions are for these inventions to serve as vehicles of exploration within this realm of the unknown.” - Julian Jean-Baptiste LaVerdiere</image:caption>
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      <image:caption>Director: Alex Ogus Production Company: Company Films</image:caption>
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    <lastmod>2023-07-12</lastmod>
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